Little woodcut with watercolor monotype and chine colle’
“Lichen,” 2012-2017 etching
“Cambria I,” 2017 etching
“Phalaenopsis,” 2017. Little woodcut with monotype
“Phalaenopsis I,” 2017 etching
A second layer of violet is printed over the initial green print.
Experimenting with cutting layers of rubylith for a future screen print
Trying out the water based Charbonnel ink for the first time. Looks good!
Two color etching. 4″ x 6.” Edition of 14; 2016.
I’ve color coded two sheets of transparent vellum and layered them on top of each other. This helps me to plan the shifts in tone, and also gives me an approximation of where the two colors will combine to make a third color.
This collagraph print from 2012 is the first in the orchid series. This oncidium orchid was the first of many to die for my printmaking.
4″ x 4″ etching on blue paper.
An overly ambitious screen print from my student days.
Two color etching, 2015.
Etching on gray paper, 2014.
A tiny reduction etching; my first attempt at printing colored etchings.
A rare misprint that’s better than what was intended.
Two color etching, 2015.
Two color etching, 2015.
A nearly finished print in progress.
Etching in progress.
Bromeliad I–a pineapple seen from above
“Oncidium.” Mixed media.
“Narcissus.” Reduction woodcut.
“Mother and Child.” Drypoint with chine collé.
Angry Alex. Etching.
“Stay Calm.” Etching, 2014.
Detail from “Three Women.” Etching with chine collé, 2013.
“Fan Fiction.” Etching, 2008.
“The Inner Ear.” Relief with Collagraph.
“Melancholy Woman.”
“Girls of the USA: Emily.” Relief, 2008.
“A Dull Moment.” Relief, 2008.
“Burn II.” Etching, 2013.
“Burn I.” Etching, 2014.
“Still Life with Carnation (Blue).” Etching with chine collé, 2013.
