Four layers of rubylith
-
- “Burn I.” Etching, 2014.
-
- “Burn II.” Etching, 2013.
-
- We spent two days in NYC, and the Chagall/Spiegelman exhibits at the Jewish Museum were on our strict itinerary. Here I am, grinning like an idiot underground in the subway, excited to have stumbled across the posters for the shows.
-
- “Fan Fiction.” Etching, 2008.
-
- Detail of “Fan Fiction.” Etching, 2008.
-
- “Stay Calm.” Etching, 2014.
-
- Angry Alex. Etching.
-
- The first of the secret rooms. Large graphite drawing.
-
- “Mother and Child.” Drypoint with chine collé.
-
- “Narcissus.” Reduction woodcut.
-
- Planning the shifts in tone for an etching.
-
- Planning the shifts in tone for an etching; two sheets of transparent vellum.
-
- Planning the shifts in tone for an etching.
-
- A nearly finished print in progress.
-
- Two color etching, 2015.
-
- Two color etching, 2015.
-
- A rare misprint that’s better than what was intended.
-
- A tiny reduction etching; my first attempt at printing colored etchings.
-
- Etching on gray paper, 2014.
-
- Two color etching, 2015.
-
- An overly ambitious screen print from my student days.
-
- 4″ x 4″ etching on blue paper.
-
- This collagraph print from 2012 is the first in the orchid series. This oncidium orchid was the first of many to die for my printmaking.
-
- I’ve color coded two sheets of transparent vellum and layered them on top of each other. This helps me to plan the shifts in tone, and also gives me an approximation of where the two colors will combine to make a third color.
-
- Two color etching. 4″ x 6.” Edition of 14; 2016.
-
- Trying out the water based Charbonnel ink for the first time. Looks good!
-
- I love this press so much I want to marry it
-
- 39 plants crammed on one shelving unit!
-
- Little woodcut with watercolor monotype and chine colle’
-
- “Cambria I,” 2017 etching
-
- “Phalaenopsis,” 2017. Little woodcut with monotype
