Planning a two color print
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- “Burn I.” Etching, 2014.
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- “Burn II.” Etching, 2013.
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- We spent two days in NYC, and the Chagall/Spiegelman exhibits at the Jewish Museum were on our strict itinerary. Here I am, grinning like an idiot underground in the subway, excited to have stumbled across the posters for the shows.
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- “Fan Fiction.” Etching, 2008.
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- Detail of “Fan Fiction.” Etching, 2008.
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- “Stay Calm.” Etching, 2014.
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- Angry Alex. Etching.
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- The first of the secret rooms. Large graphite drawing.
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- “Mother and Child.” Drypoint with chine collé.
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- “Narcissus.” Reduction woodcut.
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- Planning the shifts in tone for an etching.
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- Planning the shifts in tone for an etching; two sheets of transparent vellum.
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- Planning the shifts in tone for an etching.
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- A nearly finished print in progress.
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- Two color etching, 2015.
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- Two color etching, 2015.
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- A rare misprint that’s better than what was intended.
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- A tiny reduction etching; my first attempt at printing colored etchings.
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- Etching on gray paper, 2014.
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- Two color etching, 2015.
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- An overly ambitious screen print from my student days.
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- 4″ x 4″ etching on blue paper.
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- This collagraph print from 2012 is the first in the orchid series. This oncidium orchid was the first of many to die for my printmaking.
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- Two color etching. 4″ x 6.” Edition of 14; 2016.
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- Trying out the water based Charbonnel ink for the first time. Looks good!
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- Experimenting with cutting layers of rubylith for a future screen print
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- I love this press so much I want to marry it
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- 39 plants crammed on one shelving unit!
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- Little woodcut with watercolor monotype and chine colle’
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- “Cambria I,” 2017 etching
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- “Phalaenopsis,” 2017. Little woodcut with monotype
Oncidium Press 